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Literary fiction books

The shelf for novels read for how they are written as much as for what happens: families coming apart, cities changing, memory doing unreliable work and ordinary life examined closely. 575 books so far, across 31 series, plus 539 titles with no series listed. This is page 8 of the shelf.

575 books31 series
Cover of Lolita by Vladimir Nabokov

The literary fiction shelf

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Showing 48 of 575 books

Cover of The Earth, My Butt, and Other Big Round Things by Carolyn MacklerRating coming soon

The Earth, My Butt, and Other Big Round Things

Carolyn Mackler · 2003

Virginia Shreves is fifteen and a sophomore at a private school in Manhattan, where she is the one member of her family who is not thin, brilliant and good-looking. Her sister has gone to Africa to get away from their mother, and her brother Byron, whom she has always admired, has been suspended from Columbia University. Virginia is hiding most of herself, and then she stops hiding.

Coming-of-ageYoung adult mystery
Cover of Love & Virtue by Diana ReidRating coming soon

Love & Virtue

Diana Reid · 2021

Michaela arrives at Fairfax College, the only all-female residential college on campus, as a scholarship student from interstate looking for a fresh start in Sydney. She is quickly struck by the long-standing private school cliques and social circles, and her new neighbour is twenty-year-old Eve, who has already taken a gap year. Fairfax is a college with its own rituals, and Michaela has to learn them without any guidance from home.

Campus novelSocial realism

What fits on this shelf

Literary fiction here means a novel whose language and structure are doing as much work as its plot. The subject is often ordinary - a marriage, a house, a job, a death in a family - and the interest lies in the telling: a voice the reader has not heard before, a structure that circles instead of marching, or an honesty about people that a genre plot would smooth over.

The shelf is deliberately not a prize list and not a ranking. Modern classics sit next to books published this decade, and translated fiction sits next to novels written in English, because the shelf is a description of the writing rather than of its reputation. A novel that uses a mystery, a love story or a fantastic premise as part of its design still belongs here when the writing is the reason to read it, and it can also sit on that other shelf.

Experimental work, autofiction, campus novels, family novels, social realism and magical realism all fit. What does not fit is the review-voice judgement about which books are important: the page states the setting, the people and the shape of the story, and leaves the verdict to the reader.

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Baby Bat