Behind the series
- First aired
- 2013
- Creators / development
- Jenji Kohan
- Principal cast
- Taylor Schilling, Laura Prepon, Danielle Brooks, Natasha Lyonne, Uzo Aduba, Taryn Manning, Kate Mulgrew, Laverne Cox
- Story scope
- Season 1
About the series
Contains story spoilers.
Orange Is the New Black begins with Piper Chapman leaving her fiancé Larry to serve a federal sentence for carrying drug money years earlier. At Litchfield, she meets Alex Vause, the former partner tied to that past, and encounters a society governed by official rules and relationships among inmates and staff. Piper initially understands the prison through her own fears and expectations, but the series moves into the histories of the women around her. Their friendships, rivalries and loyalties give the institution a social world that existed before her arrival.
Piper’s first serious misstep comes at mealtime. She insults the food without understanding that Red runs the kitchen and has standing across the prison. The kitchen retaliates by withholding Piper’s meals; a tray containing a used tampon makes the punishment impossible to mistake. Piper eventually makes lotion for Red, drawing on Suzanne’s help to obtain ingredients. The gesture succeeds where complaints and apologies have failed, and she is allowed to eat again. For someone accustomed to having everyday needs met, the dispute shows how quickly food can become an instrument of authority.
The conflict over the kitchen’s supply route has a much darker consequence for Tricia. After detox, she hopes to regain Red’s trust, but Red refuses to welcome her back immediately. Officer Mendez, known as Pornstache, insists that Tricia still owes him for drugs and forces her to distribute a bag of pills. During a visiting teenagers’ programme, he notices her deteriorating condition and locks her in a closet to conceal his trafficking. He later finds her dead from an overdose and stages a hanging to hide what happened. The discovery devastates the inmates. Nicky tells Red that she helped Mendez obtain access to the supply route, while Red explains that sending Tricia to detox was meant to trigger an investigation. Their failed efforts to control the situation have left a young woman dead and the officer covering his tracks.
The Women’s Advisory Council election gives another view of Litchfield’s politics. Healy announces representatives for groups within the prison, and campaigns form along lines of race, religion and sexuality. Piper tries to stay out of it, but Healy puts her on the council anyway as the white inmates’ representative. Pennsatucky resents the appointment, while the final count gives Piper a seat despite her not having campaigned or received a vote. The council promises a channel for inmates’ concerns, yet the result shows how much power remains with the person administering it. Piper gains an official position that changes her relationships before she has chosen what to do with it.
Near Christmas, Piper attempts to settle her future by marrying Larry immediately. She tells Alex that she has chosen him, and Alex warns that their relationship cannot simply resume whenever Piper changes her mind. Larry visits Alex, expecting to demand that she leave Piper alone; Alex instead tells him that Piper pursued her. When Piper produces the marriage paperwork, Larry says that fear cannot be the reason they stay together and ends the conversation. Piper turns back to Alex, who refuses to receive her. Her effort to secure one relationship has left her without either.
Tiffany Doggett, known as Pennsatucky, builds her identity around religious conviction. Her history includes killing a nurse at an abortion clinic and being championed by a Christian group. Inside Litchfield, her feud with Piper becomes a threat of murder. She confronts Piper in the showers with a razor attached to a toothbrush, then follows her into the yard during the Christmas pageant. Healy sees the confrontation and walks away. Piper draws the missing screwdriver, but is cut and drops it. She then knocks Pennsatucky down and repeatedly punches her, ending the season with an unresolved violent confrontation. A prison conflict that initially involved words and social standing has become a fight for survival.
The screwdriver reaches that confrontation through an earlier, almost casual mistake. On electrical work detail, Piper pockets the tool and forgets it is there. Its disappearance prompts searches because staff know it can become a weapon. Miss Claudette hides it in a cooking pot to protect their bunk from discovery, then tells Piper to return it discreetly. Piper cannot reach the workshop and hides it under her mattress instead. Big Boo discovers it while visiting the bunk, leaving Piper and Claudette unaware of who has it. The supervisor finally replaces the missing tool to protect his job. The immediate search ends, but the original screwdriver remains loose inside the prison, available to change another encounter.
Sophia Burset’s story moves beyond Piper’s adjustment to examine dependence on institutional care. Before prison, Sophia worked as a firefighter and stole credit-card information to pay for gender-affirming surgery. Her wife Crystal supported her transition, while their son Michael reacted angrily and reported the fraud. At Litchfield, budget cuts reduce Sophia’s hormone medication. Trying to reach a doctor, she swallows part of a bobblehead, but the consultation results in her hormones being stopped altogether. Mendez offers medication in exchange for oral sex; she refuses. Sophia then asks Crystal to smuggle hormones into the prison, straining a relationship already carrying the consequences of her conviction. Her resourcefulness cannot remove the dependence that confinement creates: access to something central to her life is controlled by staff, finances and people outside the gates.
