Behind the film
- Year
- 2021
- Director
- Cary Joji Fukunaga
- Writers
- Neal Purvis, Robert Wade, Cary Joji Fukunaga, Phoebe Waller-Bridge
- Genres
- Action, Thriller, Spy, Adventure
- Production
- Eon Productions
- Country
- United Kingdom, United States
- Cast
- Daniel Craig, Léa Seydoux, Rami Malek, Lashana Lynch, Ana de Armas, Ben Whishaw, Naomie Harris, Jeffrey Wright
About the film
Contains story spoilers.
No Time to Die begins in Norway, where a young Madeleine Swann survives an attack by Lyutsifer Safin, a masked man seeking revenge on her family. Years later, Madeleine returns to Matera with James Bond, who has left active service. Their attempt at a private life is interrupted at Vesper Lynd’s tomb: an explosion and an ambush convince Bond that Madeleine has betrayed him. He sends her away and disappears from the intelligence world. The opening makes trust the film’s first action problem. Bond’s reflex is to interpret danger as proof that intimacy was a mistake, even when the evidence is incomplete.
Five years pass. In Jamaica, Bond’s quiet retirement is interrupted when his old friend Felix Leiter and Logan Ash ask him to help find a missing British scientist. The scientist, Valdo Obruchev, has been taken from an MI6 laboratory working on Project Heracles, a biological weapon based on programmable nanobots. Bond initially refuses to return, but Felix’s appeal draws him into the search. In Cuba, he meets Paloma, a new CIA agent who assists him in infiltrating a Spectre gathering. The operation reveals that the theft is part of a larger plan: the technology can target people by their DNA, making it useful for assassination and horrifying as a tool of mass control. Safin turns the party’s intended attack on Bond against Spectre instead, wiping out its gathering while Bond survives. That reversal makes the investigation bigger than the familiar struggle with Blofeld: an enemy has used the organization’s own ceremony to destroy it.
Bond’s return puts him at odds with the current 007, Nomi, while M and the intelligence services try to contain the consequences of Heracles. Bond learns that Obruchev has been working for Safin, who now commands the stolen technology. Felix and Bond’s extraction effort in Cuba collapses when Ash reveals his allegiance to Safin. Felix is mortally wounded, and Bond is left with the knowledge that the betrayal came from inside the operation. The film uses this loss to underline how little control Bond has over the institutions he once served: personal loyalty may be sincere, but state secrecy gives enemies room to hide within an official mission.
Bond and Madeleine meet again in London before his prison interview with Blofeld. Safin has forced Madeleine to carry a dose designed to kill the prisoner; when Bond touches her and subsequently grabs Blofeld, he becomes the unwitting link that delivers it. Blofeld also reveals that Madeleine did not betray Bond in Italy: the earlier ambush was his own effort to break their trust. That confession arrives too late to recover the five lost years, but it sends Bond to Madeleine’s childhood home in Norway. There he meets Mathilde, a small child whose resemblance raises a possibility Madeleine initially denies. His investigation has brought him to a family he did not know existed, while the danger follows close behind.
Logan Ash’s men pursue Bond, Madeleine and Mathilde through the Norwegian forest. Bond confronts Ash, but Safin captures mother and daughter and takes them to his island, where Heracles is being produced on a massive scale. Bond and Nomi cooperate on the assault, with Q helping remotely and a naval missile strike prepared to destroy the facility. Nomi’s position as the new 007 stops being a contest over Bond’s old title; their responsibilities now fit together. She can escort Madeleine and Mathilde to safety while he stays to open the missile silo doors, exposing the factory to the incoming weapons. For a moment, rescue and the destruction of Heracles seem compatible with his own escape.
Cary Joji Fukunaga’s film moves between sharply different kinds of danger. The Italian chase compresses distrust into narrow streets, the Cuba mission gives Daniel Craig and Ana de Armas a brisk comic partnership, and the Norwegian pursuit brings the threat into a family’s hiding place. Léa Seydoux’s Madeleine must deal with both Bond’s suspicion and Safin’s coercion, while Lashana Lynch’s Nomi has a professional mission of her own. These relationships give the scale of the final island operation a human measure. Destroying a factory is an intelligible military objective, but Bond also has to understand what protecting people means when returning to them could itself become a threat.
Bond opens the channels needed for the missiles to destroy the island’s weapon stores, but the blast doors close before he can leave. Safin wounds him and explains that he has altered the nanobots so Bond would carry Madeleine and Mathilde’s genetic signatures as well. Bond kills Safin, yet learns the alteration cannot be undone. He speaks with Madeleine over the radio, tells her he loves her and accepts the imminent strike rather than risk returning to her. The film ends with the surviving agents raising a toast to Bond, while Madeleine tells Mathilde the story of her father. The conclusion gives the series’ familiar farewell a finality shaped by Bond’s own choice: he protects the people he loves by accepting that he cannot rejoin them.

